For him, each and every conversation or thing he says to someone is on par with a performance, and that is why he is so nervous. We learn, in words familiar to scholars of the Bard, that all of us are “performers and portrayers each another’s audience outside the gilded cage.” Here we see Peart’s struggle with social interactions. The second instance of the phrase, however, gives us some insight on the cage beyond simply performing. However, for “those who think and feel,” the gilded cage is not the goal, and Neil is trying to escape this fate. From the first verse, we learn that this cage keeps us in, and is what performers yearn for. This theme is repeated twice in the song, in both the first verse and the second pre-chorus section, and is always the last thing mentioned in these sections. As a rather shy person, he wanted to emphasize how uncomfortable he was being placed on a pedestal, and this can be seen through a few motifs of the song, most notably the idea of the so-called “gilded cage.” ![]() ![]() ![]() Little did they know what was yet to come, as on the same album as “Limelight” was two of their most famous songs: “Tom Sawyer” and “Red Barchetta.”īut back to “Limelight.” Neil wanted to write a song to convey to their audience what it was like to be famous. The band had recently hit it big, with high charting hits like “Spirit of the Radio,” “Xanadu,” and all of “2112,” and were starting to come to terms with their new-found fame. In the song “Limelight” off of Canadian prog-rock band Rush’s hit album Moving Pictures, Neil Peart, the band’s drummer and lead songwriter, expounds on the nature of fame.
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